An international team of archaeologists is investigating a shipwreck discovered off the coast of Malindi, Kenya, which may be the remains of the São Jorge, a Portuguese galleon linked to Vasco da Gama's final voyage. The wreck, found in 2013, lies on a coral reef approximately 500 meters from the shore and is believed to have sunk over 500 years ago. Artifacts retrie...
The Mini is a bite-sized version of The New York Times' revered daily crossword. While the crossword is a lengthier experience that requires both knowledge and patience to complete, The Mini is an entirely different vibe.With only a handful of clues to answer, the daily puzzle doubles as a speed-running test for many who play it.So, when a tricky clue disrupts a player's flow, it can be frustrating! If you find yourself stumped playing The Mini — much like with Wordle and Connections — we have you covered.
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Here are the clues and answers to NYT's The Mini for Friday, November 29, 2024:Across___, ___, goose!The answer is Duck.Big pileup during vacation, perhapsThe answer is Email.The "cord" cut by a cord cutterThe answer is Cable. Kind of acid in proteinsThe answer is Amino.Pair for a snorkelerThe answer is Fins.
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DownAfter-dinner coffee orderThe answer is Decaf.Taste first identified by Japanese chemist Kikunae Ikeda in 1908The answer is Umami.Rustic homeThe answer is Cabin. Ovens in a pottery studioThe answer is Kilns.Sign associated with loyalty and confidenceThe answer is Leo.If you're looking for more puzzles, Mashable's got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.
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Are you also playing NYT Strands? See hints and answers for today's Strands.Not the day you're after? Here's the solution to yesterday's Mini Crossword.
From 2011 to 2012, thieves stole $18 million worth of maple syrup from the Federation of Quebec Maple Syrup Producers. Among the most valuable heists in Canadian history (and arguably the most Canadian heist ever), the robbery earned the title of the Great Canadian Maple Syrup Heist.Now, the Great Canadian Maple Syrup Heist gets its own TV adaptation with Prime Video's The Sticky. Created by American Housewife team Brian Donovan and Ed Herro, The Sticky stars Margo Martindale, Chris Diamantopoulos, and Guillaume Cyr as an unlikely trio of maple syrup hustlers. The three have incredible chemist...morery — but in the end, is it enough to counteract The Sticky's long, winding road to the notorious heist that spawned it?
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What is The Sticky about?
Margo Martindale in "The Sticky."
Credit: Jan Thijs
The Sticky may draw inspiration from true events, yet as a title card reminds us at the beginning of each episode, what we're seeing is "absolutely not" the true story. Yes, people will work to steal maple syrup from a governing syrup body in Quebec, but that's basically where the similarities begin and end. Notably, every member of The Sticky's aspiring heist crew is fictional.Every member of the heist crew is also down on their luck, and growing more desperate day by day. There's syrup farmer Ruth Landry (Martindale), whose husband Martin lies in a years-long coma, and whose farming land is on the verge of being seized by the corrupt association that governs the local maple syrup supply. Security guard Remy Bouchard (Cyr) is the organization's sole security guard. Overworked, underpaid, and unappreciated by boss Leonard Gauthier (Guy Nadon), Remy takes revenge where he can — by stealing one barrel of syrup a month from the stockpile. Rounding out the team is Bostonian mobster Mike Byrne (Chris Diamantopoulos), who's looking to pull off a job unaffiliated with the U.S. crime family that hounds him. Pushed together by circumstance, these three decide to take down those who have wronged them by executing the sweetest heist known to mankind. But of course, as we've come to expect from any heist story, things rarely go according to plan, and Ruth, Remy, and Mike are in for a hell of a lot of sticky situations.
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Margo Martindale, Guillaume Cyr, and Chris Diamantopoulos are a delightful heist crew.
Margo Martindale, Chris Diamantopoulos, and Guillaume Cyr in "The Sticky."
Credit: Jan Thijs
You may be drawn in by the promise of maple syrup mayhem, but the true heart of The Sticky is just watching Martindale, Cyr, and Diamantopoulos become the most dysfunctional heist crew in all of Canada. The three give delightful performances separately, but put them together, and you get dynamite.Martindale's Ruth is ferocious as can be, unafraid to storm the association's offices with a downed tree in tow or curse out Leonard in front of his staff. Cyr's Remy becomes a perfect foil for her, not just because of his links to the organization but also because of his mild-mannered demeanor, which can sometimes lead to others taking advantage of him. However, that mildness...
Looking to fuel up your Netflix queue with some high-octane action?Whether you're a fan of wild Westerns, cunning detectives, high-swinging superheroes, ravenous zombies, rowdy thieves, or hard-hitting heroines, Netflix has a movie pitch-perfect for every kind of adrenaline seeker. We know scrolling through the streaming app can be a chore when all you want to do is Netflix and chill. So, we've taken out the hard step by highlighting the most stunt-stuffed, battle-powered, high-speed films the streamer has to offer.
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Here are the 20 best action movies on Netflix, streaming right now. 20. JawsIn 1975, Steven Spielberg gave rise to the blockbuster with this iconic creature feature. Roy Scheider, Robert Shaw, and Richard Dreyfuss star as an unlikely trio of sheriff, sea captain, and shark expert. Together, they brave the waters off Amity Island to do battle with a man-eating great white shark. Though not as action-packed as today's blockbusters, this nerve-rattling adaptation of Peter Benchley's beach read was scary enough to drive audiences wild and turn the tide of shark sentiment against the sea beast for decades. Yet nothing in the fear-mongering Shark Week can compete with the man-versus-sea-beast action that goes down here. And every time, you'll be tempted to cheer when Brody snarls, "Smile, you sonovabitch!" —Kristy Puchko, Entertainment EditorHow to watch: Jaws is now streaming on Netflix.19. 21 Jump Street
Credit: Moviestore / Shutterstock
It seemed highly unlikely that anyone could update a ludicrous TV show where grown-ass adult cops go fight crime in high schools into anything resembling a good movie. Yet, somehow Cloudy With a Chance of Meatballs helmers Phil Lord and Christopher Miller's live-action debut was equal parts hilarious, smart, bro-ishly sweet (as all Channing Tatum flicks should be), and packed full of action.With a goofily propulsive script by co-star Jonah Hill — back when he was still getting typecast as that Superbad dork — and Michael Bacall, and strong supporting performances by Dave Franco, Rob Riggle, Brie Larson, Holly Robinson Peete, and yes, Ice Cube, 21 Jump Street had its very own mid-aughts moment worth revisiting. And keep your eyes peeled for a now-controversial cameo. — Jenni Miller, Contributing WriterHow to watch: 21 Jump Street is now streaming on Netflix. 18. Bad Boys: Ride or Die
Will Smith and Martin Lawrence return in "Bad Boys: Ride or Die."
Credit: Frank Masi / Sony Pictures
Nearly 30 years after their first adventure as cop buddies Mike Lowrey and Marcus Burnett, Will Smith and Martin Lawrence are back with the Bad Boys' franchise's fourth installment. Bad Boys For Life co-helmers Adil El Arbi and Bilall Fallah also returned, bringing their high-octane brand of action into a stunt-packed epic about loyalty and redemption. When the late Captain Howard (Joe Pantoliano) gets dragged for alleged ties to corruption, it's up to Mike and Marcus to find the truth and clear his name. In her review of this action-comedy, Mashable contributor Monica Castillo praised this rousing return, writing, "Bad Boys: Ride or Die is an entertaining reminder of what made the original movie work all those years ago." — K.P.How to watch: Bad Boys: Ride or Die is now stream...
The parade is over. The plates have been cleared. The family is gone, and you're full. Not just on turkey, mashed potatoes, and whatever cranberry atrocity is traditional for your clan, but also just full up on the holiday cheer. Sure, there's plenty of funny Thanksgiving TV specials to indulge in, family-friendly Belcher antics to binge-watch, and even Christmas movies to marathon. But maybe you're hungering for something dark and grim. For this acquired taste, I recommend biting into Denis Villeneuve's twisted crime-thriller, Prisoners. Why? Well, for starters it's seasonally set. Prisoners ...moreis a Thanksgiving movie from the start. Prisoners begins on a Thanksgiving that no one in this quiet Pennsylvanian town will soon forget. This is a place of cozy Americana, where neighbors gather together for the holiday feast and bring to the table good manners, warmth, and the freshly slaughtered venison from the deer snagged while hunting. Proud patriarch Keller Dover (Hugh Jackman) is deeply devoted to his family, doting on his young daughter and intently instructing his teen son that a man's role is as protector, no matter what. So, when his little girl and her best friend Joy go missing — ironically while in search of the "safety whistle" dear old dad gave her — it shatters something inside Keller. As his wife (Maria Bello) crumbles into despair, he cannot leave this missing-persons case up to the police. So while headstrong hotshot Detective Loki (Jake Gyllenhaal) chases down leads both winding and grotesque, Keller tails his own prime suspect (Paul Dano). But this leads him down a slippery slope of vigilantism, vengeance, and possible damnation.
Hugh Jackman roughs up Paul Dano in "Prisoners."
Credit: Moviestore / Shutterstock
Long before delving into the world of Dune, Villeneuve absolutely stuffed this film with heralded performers, including David Dastmalchian, Terrence Howard, and Academy Award–winners Viola Davis and Melissa Leo. Each actor sinks their teeth into a drama that oozes with grief, regret, and almost radioactive rage. Prisoners is a tale of rage and vengeance. This intense ensemble engages in a game of cats-and-mice that involves stalking, drugging, battery, torture, and more. Yet Prisoners is not about grisly spectacle. Aaron Guzikowski's riveting screenplay asks the question: In the face of your worst nightmare, how might you behave?While each performance is strong (even more so on a rewatch), the grudge match here is not between Keller and the man he believes took his child. It's between Keller and Loki, two tough-as-nails men who want the same thing but take radically different routes to getting it.
In the face of your worst nightmare, how might you behave?
The growling wrath Jackman channeled into Wolverine feels more dangerous in this context, probably in part because an R-rating means that the film is not restrained by the MPAA's standards when it comes to intense on-screen violence. But Prisoners is not so much visually gory as it is psychologically disturbing. Over the week its story spans, we are helpless witnesses to a good-hearted family man who transforms into an impulsive monster in the face of what he can't control. Though Villeneuve doggedly grounds the film in realistic settings and with a tooth-gritting tone, Prisoners is in part a fable about how wild the world can be, even in our own front yards. Gyllenhaal is the perfect foil to Jackman, delivering a performance that's still fed by...
An unremarkable real-world thriller, September 5 fails on numerous fronts: both as a film re-telling the 1972 Munich Olympics hostage crisis, and as a journalistic retrospective about TV broadcasting. It arrives with renewed relevance in light of constant, harrowing news from Palestine, but the movie’s narrowed focus — almost entirely confining the plot to the real-time developments within ABC's Munich newsroom — is a blinkered approach that ends up saying little about the events either in retrospect, or as they unfolded in the moment.
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Swiss director Tim Fehlbaum brings clockwork proficiency to his screenplay (which he co-wrote with Moritz Binder and Alex David). However, his technical acumen is in service of a mechanical cinematic experience whose political outlook is awkward at best, and status-quo fawning at worst. That the film is now on people's Oscar radar appears to be an outcome of its appearance on one solitary list of predictions, despite it receiving little buzz out of its Venice premiere. Whether September 5 hits with award bodies remains to be seen, but to laud it with trophies would be a severe political miscalculation, an act that — like the film itself — is all bluster, and features little by way of artistic inquiry.What is September 5 about?
In the early hours of Sept. 5, 1972, eight gunmen from the Palestinian militia Black September took the Israeli Olympic team hostage in their hotel and demanded the release of over 200 Palestinian prisoners — an event depicted in the opening scenes of Steven Spielberg's Munich. Among the first news stories of its kind to be broadcast live around the globe, this armed encounter helped set the stage for such coverage in the future, a self-reflexivity the movie hints toward, as its journalists scramble to bring the story to a worldwide audience. Far from saints, some of its journalist characters are downright opportunistic, which begins to paint an intriguing portrait of the future of TV news. However, Fehlbaum never quite follows this instinct.On one hand, tethering the film's perspective to ABC's makeshift control center offers unique insight into live broadcasting, a complex technical process seldom explored on screen. In that vein, the film is tantalizingly tactile, with its use of maps, books, and telephones re-jigged to function as radio receivers so the whole team can eavesdrop on German police scanners. On the other hand, the ethics of breakneck TV decision-making, and the media's role in capturing the affair, which took place over 20 hours, while making harmful mistakes — like broadcasting police strategies live on air, so the attackers could get one step ahead — play out in rote fashion. It’s as though September 5 were obligated to touch on every item on a biopic checklist, more so the logistics of "what" and "who" rather than the more emotionally detailed “how” and “why,” without exploring the broader implications of what’s on screen. Even meeting the movie on its level, within these narrow parameters, yields disappointing drama, since the edit rarely ruminates on the momentary impact of any event or decision. "It's not about details, it's about EMOTIONS," one character argues in a pivotal scene. If only the movie had followed suit. However, the issues don't begin and end with how the story is told; they're often tied to what sliver of the larger whole the movie chooses to tel...